Conical Hat (or Non La)
Take a peasant's common conical hat, add a touch of this and a little of that, and you will have the idea, but not quite an authentic Non Bai Tho or "Poetical Leaf" from Central Vietnam. Just a few simple arrangements added to the conical form are enough to give the Vietnamese leaf-covered hat unique features found nowhere else among Asia’s various types of conical hats.
The legend of the conical hat is related to maternal love and the history of rice growing in Vietnam.
Once upon a time, the legend says, when a deluge of rain was falling there descended from the sky a giant woman wearing on her head four huge round leaves as large as the sky itself and stitched together by bamboo sticks. The leaves protected humankind, then still naked, from the rain. The giant messenger from the sky twirled round the leaves on her head to dispel clouds and rains. Those who followed her were taught by her how to grow crops. One day mankind dozed off as they listened to stories narrated by her. When they woke up the goddess was gone. The Vietnamese built a temple in her memory and honored her as the Rain-shielding Goddess. Following her example, people went into the forests to fetch broad and round leaves (palm) which they stitched together on a bamboo frame. This was to become an indispensable headwear for the farmers on the fields, boatwomen carrying passengers across rivers, travelers under the blazing sun...
However, Vietnamese girls do not like just any conical hat they come upon. The dearest to them is inevitably the one called the "Poetical Leaf "for they become milder, more elegant and more delicate when once they put on a hat, which gives shelter to their blushing cheeks like a crowing bud protected from sun, rain or rough wind. Vietnamese women also use the conical hat to fan off the heat of summer, as a container for a bunch of vegetables, and even as a bowl to relieve the thirst when passing by a well, etc. Romantically, young couples can veil their kisses behind this traditional conical hat during their dates.
The shape as well as the size of the conical hat has evolved greatly. As a rule, the broad-rimmed hat was reserved for women while men wore hats with a higher cone and smaller rims. Then, there were hats made specifically for wealthy and powerful people, hats for children, hats to equip the army, hats for the Buddhist clergy, for the mourners..., more than 50 types in all. Undoubtedly, the two best known and best liked are the conical hat of Chuong village in Ha Tay province, north of Hanoi, and the "Bai Tho", hat of Hue, the old imperial city.
The prototype of Lang Chuong hat is a large disk-like bamboo frame covered with palm leaves and perpendicularly bent on its rim to form a band of about four inches. At the centre is placed a small bamboo frame to fit the head. The strap is usually very elaborately made of silk, adorned with yellow tassels also made of silk. This hat used to be worn by upper-crust families during visits to pagodas or festive occasions.
The present conical hat is, however, patterned on the "Bai Tho" hat originating in the old capital city of Hue and the birthplace of many eminent literary men. It is true that the place where the hat comes from has been romantically famous with its peaceful Huong (Perfume) River and its majestic Ngu Binh (Peace) mountain. Moreover, Hue has been famous for her attractively sentimental, soft-voiced and long-haired girls who often gave inspiration to poets whose creative works have been handed down to the present day. And the "Poetical Leaf" has a prominent place in all that poetical, dreamy and yet scholarly diet of the ancient city. It is so called because the artisan takes great pains to cut the characters of a verse out of a palm leaf and insert them between two layers of palm leaves before stitching them together. The characters will be easily readable when the hat is seen against sunlight.
To make a proper hat, not only the maker is talent but also their experiences are plentiful. After being separated into very thin strings during the dry season, bamboo cataphyll then must be quickly submerged in water to preclude tearing and breaking. The palm, after being cleaned by sand, will be torn and turned from dark green to white after being sun-seasoned. The stronger the sun, the whiter the palms will become. Finally, to make them whiter and to preserve the color, they will be exposed sulfur, separated and ironed. Sewing and decorating must be sophisticated, too. You have to sew small and even stitches, which means you need time and patience.
Only watching craftsmen sewing conical hats inside brown tile-roofed houses in Chuong village can give you the real understanding. Looking at an old woman with crooked back, wrinkled face and shriveled hands, it’s hard to imagine that she can hold her hands steady enough to do the needlework, but she manages it skillfully. “My mother taught me to sew non la when I was six years old. Now I’m 78. I could sew hats with my eyes closed,” Tam smiled.
A long history. According to historian Le Van Lan, Vietnamese girls and women have worn the conical hat for a long time. The ancestor of today’s conical hat was carved on Ngoc Lu kettledrum and Ao Thinh bronze jar 2,500 to 3000 years ago. “Though no one knows exactly when the hat was born, for a long time the conical hat has been considered the symbol of Vietnamese farmers and Vietnamese people, in general,” says Lan.
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